Outlook Lens

Kalaignar Centenary  Library
Politics Of Reading: Political Language of Dravidian Imagery

Growing up in rural Tamil Nadu in the 1980s, I recall how occasional visits to nearby towns left a lasting visual impression—statues and images of leaders shown with a pen in their pocket, a book in hand, or engaged in reading and writing.

BY S. Gunasekaran

Walking In Freedom: Gulfisha Fatima, Meeran Haider, Shifa Ur Rehman Released From Tihar Jail

Four of the five accused activists who were granted bail by the Supreme Court on January 5, 2026 in the Delhi riots larger conspiracy case were released from prison on January 7. While Gulfisha Fatima, Meeran Haider and Shifa Ur Rehman were released from Tihar jail, Mohd. Saleem Khan walked out of Mandoli prison. Families and friends of the released activists were seen celebrating with flowers and sweets on the occasion in front of the prison complex on Wednesday night. The four accused had been incarcerated for nearly six years. The trial in the case registered under FIR 59/2020 is yet to begin.

| Photo: Suresh K. Pandey/Outlook : Gulfisha Fatima, an MBA graduate and activist, steps out of Tihar prison.

BY Photo Webdesk

| Photo: Suresh K. Pandey/Outlook : Gulfisha Fatima, an MBA graduate and activist, steps out of Tihar prison.

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Party is Elsewhere - 21 January 2026 Issue

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IMDB : Bela Tarr
A Farewell For Béla Tarr

Long before “Slow Cinema” became a curatorial disposition, Tarr had already committed himself to duration as a political and aesthetic position. Across his works, he shaped a cinema of attrition and accumulation.

BY Tirna Chatterjee

IMDB : Bela Tarr
A Farewell For Béla Tarr

Long before “Slow Cinema” became a curatorial disposition, Tarr had already committed himself to duration as a political and aesthetic position. Across his works, he shaped a cinema of attrition and accumulation.

BY Tirna Chatterjee

Real/Reel: A screen grab from the film Stalker
Outlook Anniversary Issue: Navigating The Nation Factory

Today, as we struggle to push back against poisonous ideas of the divine, even as we struggle to find love and sahanubhuti to navigate our very harsh realities, the film does what the very best art should–it presses sharply on our pain points and briefly manages to release them.

BY Ruchir Joshi

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